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Villa Mangwon / aoa architects

first_img “COPY” “COPY” South Korea Projects Photographs:  Chin HyoSook, Suh Jaewon, Hong Sangdon Manufacturers Brands with products used in this architecture project Manufacturers: ENSUM, Hongik ceramics, Weber Korea ShareFacebookTwitterPinterestWhatsappMailOrhttps://www.archdaily.com/793453/villa-mangwon-aoa-architects Clipboard ShareFacebookTwitterPinterestWhatsappMailOrhttps://www.archdaily.com/793453/villa-mangwon-aoa-architects Clipboard CopyMixed Use Architecture, Apartments, Offices•Seoul, South Korea Save this picture!© Chin Hyosook+ 62 Share Save this picture!© Chin HyosookText description provided by the architects. Villa mangwon is five stories building with gabled roof. The shape of the site is nearly rectangular and it has distant views on the upper floors. On the ground floor there are parking areas and a small retail shop with pilotis. The upper floors consist of small offices on the 2nd floor, four linear studio apartments on the 3rd and 4th. The studio apartment for rent is entirely open to the south and north, where it has a small balcony on the south and an open street view on the north. The top floor is the land owner’s family house with an attic and a small roof terrace. Save this picture!© Hong SangdonThe family house has a linear living room on the west, two small rooms on the east and they are connected through a corridor of gable form. At the end of this corridor, natural light is coming through the skylight which connects two rooms, corridor and attic spatially, while giving enough light to those. The attic is finished with raw materials and normally for children’s playroom. Through a korean traditional wooden window in the attic children can talk to parents in the dining area. The roof terrace has a feeling of a room due to its wall with rounded opening on the south.Save this picture!© Chin HyosookSave this picture!SectionSave this picture!© Chin HyosookThe structure of the building presents the A(served)-B(servant)-A(served) spatial system that invites an open view in the linear space. Contrary to the ‘white monolith’ with irregular window arrangement shown frequently in small housing projects in Korea recently, villa mangwon obviously expresses stacking each floor with regular and repetitive window arrangement.Save this picture!© Chin HyosookThis strategy reflects on our fundamental attitude which is to ask the architectonic meaning in the construction, to keep a distance from excessive sentimentality in design methodology and to seek harmony within disharmony. The front facade implies that the social weight rise upwards while it looks like the whole physical and social weight rest on the single thin column on the ground floor. Metaphorically, it resembles somewhat to the unstable structure of the Korean real estate market.Save this picture!© Chin HyosookProject gallerySee allShow lessForensic Architecture Digitally Reconstruct Secret Syrian Torture Prison from the Me…Architecture NewsFukuchiyo Sake Brewery / yHa architectsSelected ProjectsProject locationAddress:415-60 Mangwon-dong, Mapo-gu, Seoul, South KoreaLocation to be used only as a reference. It could indicate city/country but not exact address. Share Area:  290 m² Year Completion year of this architecture project COWORKERS Architects: aoa architects Area Area of this architecture project Photographs Mixed Use Architecture Construction: ArchDaily Villa Mangwon / aoa architects Year:  Villa Mangwon / aoa architectsSave this projectSaveVilla Mangwon / aoa architects 2016 CopyAbout this officeaoa architectsOfficeFollowProductsConcreteBrick#TagsProjectsBuilt ProjectsSelected ProjectsMixed Use ArchitectureResidential ArchitectureHousingApartmentsOfficesSeoulSouth KoreaPublished on August 17, 2016Cite: “Villa Mangwon / aoa architects” 17 Aug 2016. ArchDaily. Accessed 11 Jun 2021. ISSN 0719-8884Read commentsBrowse the CatalogPanels / Prefabricated AssembliesTechnowoodPanel Façade SystemRailing / BalustradesMitrexIntegrated Photovoltaic Railing – BIPV RailingMetal PanelsAurubisPatinated Copper: Nordic Green/Blue/Turquoise/SpecialPlastics / FibersRodecaTranslucent Building Elements in Downton Primary SchoolSkylightsVELUX CommercialModular Skylights – LonglightBathroom FurnitureBradley Corporation USAToilet Partition CubiclesSignage / Display SystemsGoppionDisplay Case – One-offAcousticFabriTRAK®FabriFELT™ for Walls and CeilingsBoardsStructureCraftStructural Panel – Dowel Laminated TimberThermalSchöckInsulation – Isokorb® Concrete to SteelDoorsJansenSmoke Control Door – Economy 60Louvers / ShuttersShade FactorExternal Venetian BlindsMore products »Read commentsSave世界上最受欢迎的建筑网站现已推出你的母语版本!想浏览ArchDaily中国吗?是否翻译成中文现有为你所在地区特制的网站?想浏览ArchDaily中国吗?Take me there »✖You’ve started following your first account!Did you know?You’ll now receive updates based on what you follow! Personalize your stream and start following your favorite authors, offices and users.Go to my streamlast_img read more

An assessment of theLshell fitting beam-swinging technique for measuring ionosphericEregion irregularity drift patterns

first_imgThe majority of current ground‐based radar experiments measuring ionospheric convection flows derive the ionospheric flow vectors from line‐of‐sight (l‐o‐s) velocity measurements made from a single radar site. In order to deduce vector information from such a set of scalar measurements, assumptions have to be made about the spatial and temporal structure of the flow pattern. These assumptions involve an actual or effective beam‐swinging technique. In this study the flow direction estimates from the application of sophisticated beam‐swinging software, developed by the Applied Physics Laboratory of the Johns Hopkins University, to over 20,000 estimates of the l‐o‐s ionospheric E region mean irregularity drift velocity from the Wick radar of the Sweden And Britain Radar‐auroral Experiment (SABRE) system, are compared with merged velocity vectors derived from data from both SABRE radar sites. The application of the beam‐swinging software to VHF E region backscatter data is found to lead to flow direction estimations which are in error a significant amount of the time, with beam‐swinging‐derived drift velocities lying outside a cone of half width 30° around the merged SABRE drift velocities in 30% or more of cases. Both curvatures and gradients in the ionospheric flow pattern measured by SABRE cause distortions of the beam‐swinging‐evaluated flow patterns. Moreover, from an examination of the Wick l‐o‐s velocity data and the data fitting calculations alone, it is often not possible to distinguish between accurate and inaccurate beam‐swinging flow direction estimates. Criteria are discussed which can be employed to increase confidence in the beam swinging results. Although the present comparison is confined to E region irregularity drift velocity measurements, these criteria probably have implications for all monostatic experiments employing a beam‐swinging technique (e.g., coherent and incoherent radars and optical instruments). It is concluded that it is highly desirable for the next generation of ionospheric radars to be capable of making common‐volume measurements from two well‐separated sites.last_img read more

Harvard through Drew Faust’s eyes

first_imgFrom Memorial Hall and the Lavietes Basketball Pavilion to the Smith Campus Center, Drew Faust reflects on the places, times, and ways Harvard marked her, sharing with us times of joy, laughter, sorrow, and poignancy during her 10 years as president of Harvard.Come experience Harvard through her eyes.The following are 360° videos. If viewing on an iOS device, use the title links to open the video on the YouTube app. Otherwise, click and drag your mouse, or move your mobile device around, to explore the 360° environment. For the most immersive experience, try using a headset, such as Google Cardboard.Memorial Hall transept “It’s a space that mimics a cathedral and is intended to inspire and uplift.”,Lavietes Pavilion “I remember very soon after I became president, attending a women’s basketball game and celebrating with them my ascension to female power.”,Calderwood Courtyard at the Harvard Art Museums “It has become a kind of public square for Harvard.”,Annenberg Dining Hall “It’s hard for me to believe that this wonderful building and that wonderful space was left almost to disuse.”,Harvard Yard “In old Harvard Yard, people raced through, they always felt they ought to be going somewhere … rather than to linger or have a conversation.”,Sanders Theatre “I can still see [Teddy Kennedy]. I left the stage, and he was supposed to follow me, and he didn’t want to leave. And I remember turning around and seeing his silhouette as he looked out at the cheering audience, and the cheers would not stop, and he would not leave.”,Harvard i Lab “It’s a space that’s designed for invention, creativity, entrepreneurship.”,Knafel Center (Radcliffe Gym) “Radcliffe alums not only used that balcony as a track, they had to learn how to lower themselves on a rope from the balcony onto the floor because it was believed that it would be important for women to know how to use a rope to get out of a burning building.”,Richard A. and Susan F. Smith Campus Center “A university-wide space, in which people could bump into each other, share ideas, find spaces in which to have meetings for their organizations and groups, and embody the sort of unity that I felt would strengthen the university.” Related A particular sound or scent, the memory of a cherished event, or a moment of profound and absolute beauty can leave an indelible mark that we carry with us for the rest of our lives. Family, history, and the 1960s all helped to shape Drew Faust, but it was illness that urged her forward Drew Faust and Larry Bacow on learning from each other, the value of humility in decision-making, and the biggest challenges facing higher education ‘What the hell — why don’t I just go to Harvard and turn my life upside down?’ Two leaders, one Harvardlast_img read more

Ashish creates history with bronze in gymnastics

first_imgAshish Kumar scripted history on Tuesday when he became the first Indian gymnast to clinch an Asian Games medal by securing a bronze in the Men’s Floor event of the Artistic Gymnastics, in Guangzhou on Tuesday.Kumar clinched the bronze with an aggregate of 14.92 behind gold medallists Chenglong Zhang of China and South Korean Soo Myun Kim, who finished at an identical scoreline of 15.40.In the first round, Kumar scored 6.30 points while in the final round, the Indian managed to accumulate 8.62 to finish third in the event.Kumar had finished a disappointing 23rd in a 24-participant field in the final of the men’s individual all-round artistic gymnastics competition yesterday at the Town Gymnasium.The 19-year-old Indian had scripted history last month when he won a silver and a bronze in vault and floor for India in the Commonwealth Games in Delhi.With inputs from PTIlast_img read more

7 days ago​AC Milan reveal continuing losses for 2018/19

first_imgTagsSerie A NewsAbout the authorIan FerrisShare the loveHave your say ​AC Milan reveal continuing losses for 2018/19by Ian Ferris7 days agoSend to a friendShare the loveAC Milan are set to post a loss of €145.9 million (US$162.3 million ) for the 2018/19 season, according to their latest financial filings, reports, www.sportspromedia.com/.The figure makes for grim reading for the Serie A club, with losses approximately €20 million (US$22.3 million ) greater than the previous year.Revenue has also fallen 6.1 per cent to €241.1 million (US$268.8 million), according to the filing. This is despite an increase in revenue from broadcast rights, which rose from €113.8 million (US$126.9 million) to €113.8 million (US$22.3 million).The decline can partly be attributed to revenues from sponsorship income, which fell from €44.7 million (US$49.6 million) to €38 million (US$42.3 million), player management, down from €42 million (US$46.6 million) to €25.5 million (US$28.4 million) , and competition revenue, which dropped from €35.3 million (US$39.3 million ) to €34.1 million (US$37.8 million).Milan also saw business costs increase, jumping 5.1 per cent to €373 million (US$415 million).Personnel costs rose more than €34 million (US$37.7 million) to €184.8 million (US$205.5 million), with depreciation and amortisation increasing from €86.4 million (US$96.1 million) to €89.1 million (US$99.1 million). last_img read more